If you’re thinking about seeing Kalank, you’re probably wondering whether it’s worth the hype. The film has an admirable production design, reminiscent of the works of Sanjay Leela Bhansali. The cinematography and the dialogue are equally impressive, though it lacks realism and authenticity. A lot of this film’s technical dazzle, however, is a result of the filmmakers’ desire to create a visually spectacular film.
While the film starts off on a promising note, the second half of the film dragged on with predictable plot lines and mind-numbingly dull plot. The film’s prelude shows glimpses of its crux, a woman in a train who extends her arm to a wounded man. While the film drags to a predictable conclusion, the sets are lavish and opulent, evoking images of a five-star heritage resort and a wealthy man’s White House. Despite the film’s top-notch cast, Kalank is a Bollywood classic, and as such, if you’re interested in watching the film, don’t worry about its low rating.
While the film is set in pre-Independent India, the film is filmed in a period setting that feels much more like a catalogue than a historical film. While the setting is beautiful and the costumes are adorned with chikan embroidery, it lacks drama. The climax of the film leaves the audience wondering if it’s really worth seeing or not. There’s plenty of promise in Kalank, but it’s ultimately an underwhelming film.
The movie is overdramatic and mediocre overall, but there are some special moments in the film that make it stand out. Although some of the film’s storyline is not particularly original or fresh, it is an entertaining film and a good value for money. The overall experience isn’t terribly original, but it’s worth seeing for the pacifist message it conveys. If nothing else, this is one of the most beautiful films in recent history.
In addition to its stellar cast, Kalank also features a plethora of talented actors. Sanjay Dutt reunites with Madhuri Dixit after several years, and Alia Bhatt and Kunal Kemmu star as an unlikely group. Though the film is largely filled with actors and actresses, it lacks the maturity and emotional depth required to capture the attention of its audience.
In a typical film-critic review, Kalank mentions nearly every department. The film’s music is fine, and the title track is particularly moving. However, the storyline lacks a certain emotional connection with its audience, and while there are a few memorable moments, this movie falls short of reaching the average film-goer. Thankfully, the film is still an enjoyable experience for the hopeless romantics.
The film’s protagonist, Roop, is an educated woman who is pushed into a marriage of convenience by her family. She attempts to escape this marriage by treading into the ghetto in Heera Mandi, and eventually falls in love with the ripped-off blacksmith Zafar. However, this film has its fair share of flaws, but the actors are all excellent. And a strong cast is a prerequisite for a successful movie.
